This year’s theme programme, „The Unpossesable Possessor“ (Online selection), considers the cinematic apparatus as a living creature wrapped up in a complicated relationship with humans. Is its relationship to us parasitic or mutualistic? Are its intentions pure or corrupted? Are we its master or does it have reign over our selves? Is it human? Or something else? Does it love us? Clearly, we have surrendered much of our collective consciousness to the film machine. Perhaps it would serve us to figure out who it is and what it wants.